{"id":3112,"date":"2018-05-29T10:50:53","date_gmt":"2018-05-29T08:50:53","guid":{"rendered":"https:\/\/6agaleriaart.com\/?post_type=portfolio_page&p=3112\/"},"modified":"2025-10-13T12:32:40","modified_gmt":"2025-10-13T10:32:40","slug":"stories","status":"publish","type":"portfolio_page","link":"https:\/\/6agaleriaart.com\/en\/portfolio_page\/stories\/","title":{"rendered":"STORIES"},"content":{"rendered":"

[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” css=”.vc_custom_1495899297494{padding-top: 60px !important;padding-right: 40px !important;padding-bottom: 50px !important;padding-left: 40px !important;background-color: #f6f6f6 !important;}”][vc_column width=”2\/3″][vc_column_text]#stories<\/strong><\/em>[\/vc_column_text][vc_empty_space height=”10px”][vc_column_text]The\u00a0contrast, we\u00a0often\u00a0are\u00a0useful\u00a0to\u00a0opt\u00a0for\u00a0one\u00a0option\u00a0or\u00a0the\u00a0other. We\u00a0live\u00a0in\u00a0a\u00a0society\u00a0some what\u00a0defeated\u00a0in\u00a0front\u00a0of\u00a0immediacy. So\u00a0much\u00a0so\u00a0that\u00a0the\u00a0people\u00a0submit\u00a0to\u00a0the\u00a0leisures how\u00a0a\u00a0moment\u00a0of\u00a0his\u00a0life, but\u00a0only\u00a0for\u00a0a\u00a0few\u00a0hours. The\u00a0contrast\u00a0in\u00a0this\u00a0idea\u00a0is\u00a0so\u00a0strong\u00a0as\u00a0one\u00a0is\u00a0“yes” followed o fa\u00a0‘no’.<\/p>\n

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The desire to display part of intimacy, despite playing with favor, or not, of the 24 hour time limit, it contrasts with the desire of looking, motivated by empty curiosity, or a bold interest. #stories seeks to show that the painting is and remains, it is a reality to experience the time you want, thanks to the initiative of being exhibited in an exhibition space. The painting has acquired throughout history a great value, because it has allowed us to become aware of the origin of our existence, thought, identity, history. Our Gallery proposes a project where the narrative painting is the protagonist, without the need to be faithful reflection of\u00a0reality.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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The works of \u00c1ngeles Agrela (Ja\u00e9n, 1966), Ana Cabello (Inca\/ Mallorca, 1987), Federico Granell, Cangas del Narcea\/ Asturias, 1974), Emmanuel Lafont (Argentina, 1980), Guillermo Pe\u00f1alver (Tarragona, 1982) and Helena Tora\u00f1o (Llanes\/ Asturias, 1984) capture on canvas or on paper, by painting, graphite or collage, its own reality, is observed or experienced, frozen by the brush or tarnished by his imagination, all within a few creative processes governed by the mastery of the craft.<\/p>\n

The term #stories is rooted in society, probably happens one of the phenomena most analyzed, questioned, desired that rejected, that marks in many cases social million users activity.
\nWith the work of 6 artists, breaking part of the sense of the concept, offering the public the possibility of enjoying the work more than 24 hours in a real, non-virtual space where people put the look from a real perspective, where Viewer establishes interest what time you would like to look in the book, the stroke, the stroke… Finally and within are a reality that allow the succession of gazes over time.<\/p>\n

6a Art Gallery brings together 6 artists on lathe the same idea, looking for diversity in the discourses and artistic languages. For the first time the 6 artists meet in the same project. They all have in common that they tell stories, their stories, some are reals others unreal, all could be…<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_empty_space height=”10px”][\/vc_column][vc_column width=”1\/3″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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